- Tales from the borderlands decisions software#
- Tales from the borderlands decisions series#
- Tales from the borderlands decisions download#
Tales from the borderlands decisions software#
James Lopez: Yeah, sure! My name is James Lopez, I’m the Director of Production at Gearbox Software in Fresco. Shacknews: As background, can you tell me a little more about yourself and your work on the project? If you’re curious as to where the game fits in regards to the Borderlands franchise, or are wondering about the approach to the game’s narrative, here’s everything we learned about New Tales from the Borderlands at PAX West 2022! New Tales from the Borderlands interview with James Lopez at PAX West 2022 © Gearbox Software There are also fun side activities and mini-games to enjoy like Vaultlanders. Not only will your choices matter in the game, they’re presented to you in more of a subtle way.
Unlike previous Borderlands games, New Tales from the Borderlands has more of a narrative focus.
Tales from the borderlands decisions download#
The developer provided GamesBeat with a free Mac download code for this review.At PAX West 2022, we had the opportunity to sit down with James Lopez, Director of Production at Gearbox Software, to learn more about New Tales from the Borderlands. Tales from the Borderlands Episode 4: Escape Plan Bravo is out now for PlayStation 4, Xbox One, PlayStation 3, Xbox 360, PC, Mac, iOS, and Android.
Tales from the borderlands decisions series#
It’s the funniest installment yet, and despite a few technical hiccups, it will have you preemptively sad that a series this entertaining only has one episode left. It didn’t happen often, but it was always a bummer when it did.Įscape Plan Bravo marks a departure in setting and tone for the series, but the humor, fun, and charm of the series remains intact. This came up during both action sequences and timed dialogue prompts, which meant that on a couple of occasions, I had to either restart from a checkpoint or live with an undesired choice through no fault of my own. Granted, that’s not my usual setup, but you generally have about a second to figure out whether you need to press an arrow, jam on the Q key, or grab your mouse and train it on a small (and possibly moving) target.Īnd I could even get used to that if I hadn’t run into moments where my cursor simply disappeared, making it way harder to point it where I needed it to go. And that makes some kind of sense because of reflexes, but I occasionally missed some prompts simply because I was playing with a mouse and keyboard. Tales doesn’t give you much warning about what you’re going to need to do when a fast-react moment approaches.
It’s an interesting exercise in humor through context, and the writers and actors handle it expertly. Lovably nice robot pal Gortys (whose voice comes courtesy of The Last of Us’ Ashley Johnson) offsets the insanity around her with naive enthusiasm and massive amounts of friendship. Telltale also throws in a smattering of puns, some slapstick, and the funniest character in the entire episode doesn’t even make a single joke. But the item isn’t at all where he left it, and then we learn that “Skin Pizza” is a thing on Pandora but not at all what it sounds like, and the whole thing is just completely messed up and hilarious. In addition to that sequence in the mess hall, Episode 4 includes a ridiculously morbid sequence that has Rhys trying to retrieve an important component for the disguise he needs to infiltrate the space station. I’ve enjoyed the clever writing and bizarre, non sequitur humor throughout the series, but this installment goes over some kind of humor ramp - possibly with a large explosion behind it - and launches itself completely off the map. It’s the funniest episode yet (and that’s saying a lot) The highlight of the whole thing is a massive confrontation in a Hyperion cafeteria that acknowledges that even in this universe, you’re probably not going to have a massive shootout with corporate types in the middle of a work day. I’m not going to spoil it, but Telltale’s solution is action-packed, exciting, and the sort of scene that has you in danger of missing a button prompt because you’re laughing too hard. It’s not that I didn’t want to keep dusting around and dodging bullets on Pandora, but I appreciated the tonal shift, and the diversion into Mission: Impossible break-in shenanigans are different while still being true to the universe. We get a change in setting, moving from Pandora’s gun-punk Western theme to the sleek, high-tech, and largely weapon-free corporate venue (via outer space), and the accompanying thematic switch is a welcome change. It includes a plan rundown complete with Ocean’s 11-style montage music, mid-mission complications, and betrayals. This episode is all about our heroes and villains pooling their resources to steal an important item from the heavily guarded space station from which the Hyperion Corporation monitors all of its activities on Pandora.
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